By: Tyler Baker Under the direction of writer/director James Gray, the new thriller We Own The Night spews and sputters from opening to close. Every great crime drama established in
By: Tyler Baker In the third installment of the Resident Evil series, Resident Evil: Extinction, Paul W.S. Anderson tries to reanimate the original film’s sense of purpose and worth. As
By: Tyler Baker The wonder in Michael Davis’ bullet ballet, Shoot ‘Em Up, is its ability to release the audience from a thick-coated plot and the pains of trite character
By: Tyler Baker Horror is a genre for the audience. Desperation, mutilation, fornication: All of the best vices of life rolled into 90 minutes of hack heaven cinema. Plots are
By: Tyler Baker Taken for what it is (a slipshod synthesis brought about by melding Talladega Nights with Juwanna Mann), Semi-Pro is digestible at best. Will Ferrell’s newest filmic entry
By: Tyler Baker The Bourne Identity, under the directorial vision of Doug Liman, was a crash course in the action genre. He made a habitual clinic on how to shoot
By: Tyler BakerA shroud of secrecy by producer J.J. Abrams (Lost) and crew has kept spoiler leaks and plot points out of the filmic pre-release formula of creature feature Cloverfield.